Gigging FEAR & FILM

Last week I did a bit of a landmark FEAR & FILM gig, in that it was my first ever non-festival solo show.

I’ve spent quite a lot of my adult life talking to groups of people. I’ve done this in a bunch of different contexts: from stand-up comedy, academic lecturing, festival shows and one-day masterclasses through to last year’s TEDx talk. What I’ve never done, until last week, was have a show that was unconnected to a festival or event and consisted of me standing on stage for two hours.

Well, cross that one off the list.

I had no idea if anyone would turn up (they did) and whether they’d enjoy it (apparently they did). I’m massively glad I took the leap, and I’ll book up some more shows throughout the rest of the year until next year’s Horror-on-Sea rolls around and I’ll unleash the 2019 show (which I’ve already started working on and is tentatively called Pat Higgins vs The Scissors Man).

At this point, I’d also like to give an absolutely massive shout out to Three Wise Monkeys in Colchester, who provided an absolutely wonderful venue and were flat-out amazing through the whole gig. Go and visit them, because they rock.

So the next date for FEAR & FILM is the Ruined Childhood evening in Downham Market Town Hall on Sunday, May 27th. Tickets are on sale already, and I hope you can make it. It’s a double-bill with David Lawrence and Stephen Brotherstone, who wrote the brilliant Scarred for Life about terrifying kids’ TV from the Seventies. It should be a great evening.

Oh, and I’ve had a couple of people asking whether we’ll be making a filmed version of FEAR & FILM available. The short answer is ‘yes’, but we’re going to hold off until we’ve finished doing gigs with the show (hopefully avoiding that problem of audiences watching the filmed version then going to see the live show, which messes things up a little for everyone). Having said that, the filmed version is in the can, so if there’s any bloggers or horror websites out there who think they’d be interested in the show but aren’t going to be able to make it along to any of the dates, get in touch via Twitter and I’ll sort it out for you to watch the recorded version.

Likewise, if there are venues or festivals who really want a show about horror and screenwriting (now available in 1 hour or 2 hour versions! Wooo!) please give me a shout.

I bloody love doing this stuff.

 

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