Well, the year’s nearly done.
It’s been stupidly eventful, stupidly exciting and, at some points, just flat out stupid.
I started the year by hosting a new live show before premiering my new movie (Jinx Media’s first full feature since 2007) and then destroying the master copy (and back-up) live on stage. Which was a busy way to kick things off.
Ever since that eventful January, people have been asking about House on the Witchpit and where it’s going from here. People have also asked over and over again whether I really destroyed the master copy, to which the answer is yes. The film that screened at Horror on Sea no longer exists in that form. The footage still exists, of course, and will resurface in a radically different format in 2017. Tickets will be going onsale soon.
Witchpit hasn’t been the only major development at Jinx in 2016, of course. We launched our new VOD site and managed to get our whole back catalogue of features up on VOD. The death of physical media as a viable means of distribution has continued at terrifying speed, but happily coincided with us getting the rights back to a lot of our older movies (for which we’d signed 10 or 7 year distribution contracts).
Some of these were straightforward, some of them were (cough) a little bit less so. Either way, all four of our original features are now available online in one form or another. Here’s the way it breaks down:
TRASHHOUSE is now available via Amazon Prime in the original cut. This was our first movie, and it’s nice to get it back out into the world. It’s possibly fair to say that time hasn’t been kind to the visuals, but in terms of delivering a slightly mad midnight movie on a tiny budget, I reckon it holds up pretty well. TrashHouse was originally released on DVD in the UK (once in 2006 and once in 2007), but the US release was somewhat torpedoed after the movie got pirated on a scale that was somewhat ridiculous for such a modest flick. I always thought that TrashHouse might end up being the only film I’d ever get to direct, so I crammed an awful lot of things that I thought were cool into it. Except mole people. I’ve never found a way to fit them in. But they’re cool, aren’t they?
HELLBRIDE is also available on Amazon Prime. At least, it usually is. Amazon pulled it last weekend (along with THE DEVIL’S MUSIC) because of some undefined issue with the artwork. It’ll hopefully be back up by now, but it can also be purchased via Vimeo if you’d prefer (or if the Amazon listing disappears again). Hellbride remains a romantic comedy at heart, but one that just happens to have a fair amount of splatter and supernatural mayhem along the way. It was originally released on DVD in the UK and the US, and we were pleased to have the rights revert to us. Hellbride was actually the second movie that we shot, although it was the third to be released (KillerKiller beat it to release by the best part of a year). It was also the most fun I’ve ever had on a movie set. Still.
KILLERKILLER is NOT yet available on Amazon Prime, due a pesky certification issue which we hope we’ll be able to sort out before too long. Nonetheless, it’s available in the lovely, shiny 2014 Director’s Cut via our lovely friends at Vimeo, together with a bonus ‘look back’ video. This movie was our third to go in front of the camera, back during the long crazy summer of 2006. We shot chunks of it in a haunted asylum , which was fun, and it got released all over the world on DVD (EXCEPT in the UK) before coming back home to us. I’ve got a whole shelf full of DVD releases of KillerKiller. My favourite is the Russian dub, where the same dude does all the voices (including the women).
Like Hellbride, THE DEVIL’S MUSIC should be available from Amazon Prime (free to subscribers) but has experienced the same issues as Hellbride regarding the listing disappearing due to unknown issues with the artwork. Fingers crossed, you should be able to watch it right here, but if not then boogie on over to the Vimeo version which includes hours of bonus features, including the somewhat notorious ‘Director’s Breakdown’ commentary. Nine years on from filming it, I’m still pretty damn proud of The Devil’s Music. It’s a horror rock documentary, and there aren’t many of them around. This version, like KillerKiller, is a 2014 Director’s Cut. It’s been tightened up a little and has a few never-before-seen moments when compared to the original release. God, we had a nightmare getting TDM out to the public after the rights returned to us from the initial US DVD release. Everything from VATmoss to BBFC certification initially seemed to stand in our way, and various costs torpedoed the planned DVD release by the wonderful Cine du Monde (who are currently dark, but will hopefully return stronger than ever!)
So, that’s the back catalogue. Saved from the confines of shiny disks, and ready to watch whenever you choose. Why not go check one of them out? We worked hard on them.
In terms of live projects, the year has had its share of frustrations. Killer Apps (aka Evil Apps) ping-ponged between on again and off again, but remains very much a possibility for next year. A third Death Tales got a little bit closer to being a thing. Two things happened that were stupidly exciting but I can’t talk about yet. It was all enough to keep us very busy indeed.
In the bigger world, outside of the confines of independent horror, a lot of things happened this year that absolutely sucked. Even before we lost Leonard Cohen, 2016 had more than its fair share of awful stuff. Looking for diamonds in amongst the crap hasn’t always been easy.
We need to keep looking, though.
I hope 2017 has an enormous amount of wonderful surprises for all of us.
My name is Pat Higgins, and my conscience is clear.